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Since times of past, architecture has sought connections with the other fields of art like music, paintings, literature, and sculpture and so on. Films and architecture have had a long-standing connection. Films have also been studied in architecture due to the similarity of concepts such as light, movement, space, sound and its ability to immerse the audience in a virtual architectural experience. Recently there has been an increasing interest in cinema for discovering a more subtle and responsive architecture. Instead of designing through plans and sections, which only allows for a frozen moment in time to be created, the benefit of the temporal aspect of the film should be included to show movement through spaces. Frame by frame structuring of the sequences could be done to understand the spatiotemporality of the events. Architectural and films begin as dreams – they are formed in the recesses of our minds, a product of our imagination. Cinema becomes a concrete piece of work when a script/ narrative is written, storyboarded, and shot. Similarly, architecture becomes tangible through drawings and models expressing the architect’s idea of place but it is the narrative that shapes the experience. Narratives are considered a transmedium phenomenon. Narratives not just describe events in time but also change, which keeps a narrative going.
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